Solo Texts as an Outgrowth of Performance Art Are Often Characterized by

The give-and-take "baroque" has at various times meant all of the post-obit except

naturalistic

Modern historians utilise the term "baroque" to indicate

a particular style in the arts

All of the following were baroque painters except

Isaac Newton

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Baroque painters exploited their materials to aggrandize the potential of ____ to create totally structured worlds.

All answers are correct: color, ornament and detail, depth

Bizarre fashion flourished in music during the period

1600-1750

The baroque, every bit a stylistic period in western art music, encompassed the years

1600-1750

The two giants of baroque composition were George Frideric Handel and

Johann Sebastian Bach

All of the following were major baroque composers except

Wolfgang A. Mozart

Which of the following statements is not true?
A. Baroque art is a complex mixture of rationalism, sensuality, materialism and spirituality.
B. The tardily baroque period was one of the most revolutionary periods in music history.
C. Early baroque composers favored homophonic texture over the polyphonic texture typical of Renaissance music.
D. Regardless of form, bizarre music features contrasts between bodies of audio.

B. The late bizarre catamenia was one of the most revolutionary periods in music history.

One of the most revolutionary periods in music history was the

early on baroque

The early bizarre was characterized past

homophonic texture

The early baroque period spanned the years

1600-1640

Monteverdi, an early on baroque composer, strove to create music that was

passionate and dramatic

The early and belatedly baroque periods differed in that composers in the early on bizarre

favored homophonic texture

The heart baroque was characterized by

a improvidence of the style into every corner of Europe

The eye baroque period spanned the years

1640-1690

Composers in the middle bizarre stage favored writing compositions for instruments of the ________ family.

violin

By near _______, major or minor scales were the tonal footing of virtually compositions.

1680

Instrumental music became as important as vocal music for the first time in the ________ period.

late baroque

The tardily bizarre period spanned the years

1690-1750

Affections in baroque usage refers to

emotional states or moods of music

A baroque musical composition usually expresses _________ within the same movement.

one basic mood

The baroque principle of _______ may be temporarily suspended in vocal music when drastic changes of emotion in a text inspires corresponding changes in the music.

unity of mood

The compelling drive and free energy in baroque music are commonly provided by

repeated rhythmic patterns

Bizarre melodies oft are

elaborate and ornamental

Baroque melodies give the impression of

dynamic expansion

Melodic sequence refers to

the successive repetition of a musical idea at higher or lower pitches

A characteristic often found in baroque melodies is

a short opening phrase followed by a longer phrase with an unbroken flow of rapid notes

Terraced dynamics refers to

the sudden amending from i dynamic level to some other

In the baroque era, dynamics consisted mainly of sudden alterations betwixt loud and soft called

terraced dynamics

The main keyboard instruments of the baroque period were the organ and the

harpsichord

A pop keyboard instrument in which sound was produced by means of contumely blades striking the strings was the

clavichord

The most characteristic feature of bizarre music is its apply of

basso continuo

A bass part together with numbers (figures) that specify the chords to be played above information technology is chosen

basso continuo

The orchestra evolved during the baroque period into a performing group based on instruments of the ________ family.

violin

The word "movement" in music normally refers to

a piece that sounds adequately complete and independent but is office of a larger composition

Which of the following statements is not truthful?
A. A large courrt during the baroque period might employ more than than 80 performers, including the finest opera singers of the solar day.
B. Audiences in the baroque flow were most anxious to hear old familiar favorites, and did not care for new music.
C. In Italy, music schools were oft connected with orphanages.
D. Church musicians in the baroque period earned lower pay and had less status than court musicians.

B. Audiences in the baroque flow were most anxious to hear old familiar favorites, and did non intendance for new music.

A big court during the bizarre period might employ about ________ performers.

80

The music managing director of a baroque court was unremarkably not responsible for

publicity in reaching an audition

Frederick the Great, rex of Prussia, was a

All answers are right: flutist, general, composer

The position of the composer during the baroque period was that of

a high-form servant with few personal rights

In the baroque period, the ordinary denizen's opportunities for hearing music usually came from the

church

In Italia, music schools were often connected with

orphanages

To get a chore, a musician had to

pass a difficult examination

A concerto grosso most ofttimes has ______ movement(s).

three

The large group of players in a concerto grosso is known as the

tutti

The concerto grosso near often has three movements whose tempo markings are

fast, slow, fast

The outset and last movements of the concerto grosso are often in _____ form.

ritornello

Which of the following statements are not true?
A. A concerto grosso normally involves 2 to four soloists, and anywhere from viii to twenty or more than musicians for the tutti.
B. A concerto grosso persents a contrast of texture between the tutti and the soloists, who affirm their individuality and appeal for attention through vivid and fanciful melodic lines.
C. A concerto grosso ordinarily involves a large group of soloists accompanied by an equal number of supporting players.
D. The first and last movements of a concerto grossi are often in ritornello form, a form that features the amending between tutti and solo selections.

C. A concerto grosso usually involves a big group of soloists accompanied by an equal number of supporting players.

The solo instruments in Bach'south Brandenburg Concerto No. five are the _______, violin and harpsichord.

flute

Bach's Brandenburg Concerto No. 5 is unusual in that

it gives a solo function to the harpsichord

A musical ornament consisting of the rapid alteration of two tones that are a whole of half footstep apart is a

trill

A polyphonic composition based on ane main theme is the

fugue

The main theme of a fugue is called the

subject

When the bailiwick of a fugue is presented in the ascendant calibration, information technology is called the

answer

In many figures, the field of study in ane voice is constantly accompanied in another voice by a different melodic thought chosen a(n)

countersubject

Transitional sections of a fugue that offer either new textile or fragments of the subject or countersubject are chosen

episodes

________ is a musical procedure in which a fugue subject is imitated before information technology is completed.

stretto

A _______ is a single tone, ordinarily in the bass, that is held while the other voices produce a series of irresolute harmonies against information technology.

pedal indicate

Turning the subject of a fugue upside down, or reversing the direction of each interval, is called

inversion

Presenting the bailiwick of a fugue from right to left, or kickoff with the final and proceeding backward to the first notation, is chosen

retrograde

Presenting the field of study of a fugue in lengthened fourth dimension values is called

augmentation

Presenting the subject of a fugue in shortened time values is chosen

diminution

Very oftentimes an independent fugue is introduced by a short piece called a(north)

prelude

An _________ is a play, gear up to music, sung to orchestral accessory, with scenery, costumes and action.

opera

The text, or book, of a musical dramatic work is called the

libretto

Which of the following statements is non true?
A. The terms ensemble and chorus are synonymous.
B. Voice categories in opera are divided more finely than in other musical genres.
C. Operas may contain spoken dialogue, but most are sung entirely.
D. Opera soloists must create a wide variety of characters, and so need acting skills as well as vocal artistry.

A. The terms ensemble and chorus are synonymous.

A song for solo vox with orchestral accessory is called a/an

aria

________ refers to a song line that imitates the rhythms and pitch fluctuations of speech.

recitative

A _________ is a singer with a low range who usually takes comic roles.

basso buffo

A _________ is a vocalist with a very low range and powerful vocalization, who usually takes roles calling for corking nobility.

basso profundo

A(n) _________ is a musical number for two solo voices with orchestral accompaniment.

duet

A(n) ___________ is an operatic number involving three or more leading singers.

ensemble

The ____________ is the person who beats time, indicates expression, cues in musicians, and controls the remainder among instruments and voices.

conductor

An ____________ is an orchestral composition performed before the curtain rises on a dramatic piece of work.

overture

Members of the Camerata wanted to create a new vocal style based on the

music of the ancient Greek tragedies

The members of the Camerata wanted the vocal line of their music to follow

the rhythms and pitch fluctuations of speech

Virtually early on baroque operas were based on Greek mythology and

ancient history

Which of the following statements are not truthful?
A. Near early baroque operas were based on Greek mythology and ancient history.
B. The members of the Florentine Camerata based their theories on actual dramatic music that had come downwards to them from the Greeks.
C. The members of the Florentine Camerata wanted to create a new vocal manner modeled on the music of aboriginal Greek tragedy.
D. Polyphonic was rejected past the members of the Florentine Camerata because unlike words sounding simultaneously would obscure the text.

B. The members of the Florentine Camerata based their theories on actual dramatic music that had come up down to them from the Greeks.

The showtime opera business firm in Europe to offering entry to anyone with the price of admission opened in 1637 in

Venice

The primeval opera that has been preserved is Jacopo Peri's

Euridice

The stage machinery of baroque opera

bordered on the colossal

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Source: https://artscolumbia.org/music-appreciation-test-2-study-guide-7407/

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